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SERENA KENT


Superb review from the Lancashire Evening Post:

 

"Set against a stunning backdrop of ancient churches, crumbling fortresses, orchards, vineyards and quaint streets, Death in Provence has all the perfect ingredients for a reading escape… quirky characters, an irresistible sense of fun, an intriguing mystery, and more twists and turns than a Provençal mountain track.

(…)

"Serena Kent blends Agatha Christie with Peter Mayle in an atmospheric, well-plotted story rich in action, drama and dogged detective work, and simply oozing Gallic charm. Penelope Kite’s new life and crime adventures in this enchanting corner of Provence are a delight for all crime fans, and will have Francophiles heading for the book shop… and maybe looking to book their next holiday in the delectable – but sadly fictional – village of St Merlot!"

 

 

The mystery of Penelope Kite's money

 

How can Penelope Kite afford to live in Provence? It’s been bothering some early readers of Death in Provence, and I think that’s great because it shows they are really trying to imagine her enviable new life in the sun. So while discretion usually applies to financial matters, I can’t allow the vexing question of Penelope’s money to overshadow the other mysteries in the books.

 

In fact, the answers are all there in the book – though subtly present, like all the best clues. 

                                                                             

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For more than twenty years, Penelope was married to David, a solicitor – later, partner – in a law firm that specialised in City of London transactions. In London “the City” is shorthand for banks and large companies, the US equivalent of “Wall Street”. It is quite conceivable that David would have earned several million pounds a year from the mergers and acquisitions and share issues he worked on, and equally possible that Penelope’s divorce settlement, after a long marriage, would have reflected this at £5-10 million.

 

Penelope owns a house in Esher, Surrey, an affluent suburb in leafy south-west London. It might have once been the family house. A spacious five-bedroom house in Esher currently costs £2-3 million, perhaps more.

 

But let’s err on the side of caution and say that Penelope bought a smaller house in Bolingbroke Drive after the divorce. Even that would most likely be worth more than £1 million. When she moves to the south of France, she rents it out. A quick look at rental prices for a well-presented three-bedroom house in the area shows that she could make £3000-4000 a month. That alone would be a very decent amount for a single person to live on.

 

But there’s more. Penelope is an only child. Both her parents have passed away. No further details are given in the first book, but it’s revealed in the next that Penelope’s father was a doctor, a GP and police surgeon, and that the family lived in Bromley, another leafy suburb of south London. Penelope would have inherited her parents’ entire estate, including a house that could easily have been worth £2 million, and other investments.

 

Penelope can well afford to buy a run-down farmhouse in the Luberon with a realistic asking price of around €800,000, which converts to c. £700,000. She can also afford substantial renovation work, along with croissants, bottles of rosé and new clothes – and the “nearly-new” Range Rover she buys for the hilly Provençal roads.

 

Fairly early on in Death in Provence, Penelope sees the red Ferrari that keeps popping up on the local roads and muses about where she fits into the social scale: ‘There was an interesting mix of people here in August, she thought: happy holidaymakers from northern Europe; artists and photographers; walkers and cyclists; the farming community; the butchers and bakers and candlestick makers who gave so much pleasure to everyday life; and some extremely rich people – Parisians and Swiss and Americans - staying at their second homes. Penelope wondered if people would assume she was rich. She didn’t think she was. Comfortably off, perhaps. And, for the first time in her life, reckless with a lump sum.’  

 

Penelope doesn’t see herself as belonging to the Ferrari-driving classes. But, like most well brought-up, conventional British women, she is being discreet about her own wealth - which many might consider substantial.